All WEYDEN, Rogier van der Oil Paintings
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WEYDEN, Rogier van der St Luke Drawing a Portrait of the Madonna oil painting


St Luke Drawing a Portrait of the Madonna
Painting ID::  51149 		Artist: WEYDEN, Rogier van der
Painting: St Luke Drawing a Portrait of the Madonna
Introduction: 1435 Oil and tempera on panel, 137,7 x 110,8 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Annunciation Triptych oil painting


Annunciation Triptych
Painting ID::  51150 		Artist: WEYDEN, Rogier van der
Painting: Annunciation Triptych
Introduction: c. 1440 Oil on oak panel, 86 x 92 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der St Ivo oil painting


St Ivo
Painting ID::  51152 		Artist: WEYDEN, Rogier van der
Painting: St Ivo
Introduction: c. 1450 OIl on oak panel, 45 x 35 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Francesco d'Este oil painting


Francesco d'Este
Painting ID::  51153 		Artist: WEYDEN, Rogier van der
Painting: Francesco d'Este
Introduction: c. 1460 Oil on oak panel, 31,8 x 22,2 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Portrait of Charles the Bold oil painting


Portrait of Charles the Bold
Painting ID::  51154 		Artist: WEYDEN, Rogier van der
Painting: Portrait of Charles the Bold
Introduction: c. 1460 Oil on oak panel, 49 x 32 cm
   
   
     

 

 

 
 

 

 

 
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     Check All WEYDEN, Rogier van der's Paintings Here!
     Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion . Related Artists to WEYDEN, Rogier van der : | Henry McCarter | Dyck, Anthony van | TIEPOLO, Giovanni Domenico | Gian Lorenzo Bernini | Antonio Pollaiuolo |

 

 

 
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